Jon Clark Lighting Design

At The Jamie Lloyd Company, Jon has designed for Doctor Faustus (Duke of York’s); The Ruling Class, The Maids, and The Pride (Trafalgar Studios). His other theatre credits include I’m Not Running, The Lehman Trilogy, Absolute Hell, Amadeus, As You Like It, The Beaux’ Stratagem, Othello, The Effect, Collaborators, A Woman Killed With Kindness, Hamlet, Greenland, Pains of Youth, Our Class, Damned by Despair, Women of Troy, The Cat In The Hat, Beauty and the Beast and Hansel & Gretel (National Theatre); Hamlet, The Tempest, The Comedy of Errors, Twelfth Night, The Merchant of Venice, The Homecoming, The Winter’s Tale (RSC) and King Lear (RSC and New York); The Inheritance, The Jungle, Frozen, Cat on a Hot Tin Roof, Three Days of Rain (Olivier nomination for Best Lighting Design), Made in Dagenham, The Commitments, I Can’t Sing! The X-Factor Musical, Apologia, The Little Dog Laughed, and The Lover and The Collection (West End); Life of Galileo, Once In A Lifetime, A Season in the Congo, Street Scene and Been So Long (Young Vic Theatre); A Streetcar Named Desire (Young Vic Theatre and New York); Richard III, American Psycho (Almeida); King Charles III (Almeida, Wyndam’s Theatre and Broadway; Olivier Award nomination for Best Lighting); Limehouse, Trelawny of the Wells, Moonlight and Polar Bears (Donmar); The Lorax (Old Vic and USA tour); Fatherland (Lyric Hammersmith and MIF); Tipping the Velvet, The Birthday Party (Lyric Hammersmith); Ten Billion, Red Bud, Aunt Dan and Lemon, The Pride and Gone Too Far! (Royal Court); Into the Woods (Open Air Theatre); Salomé (Headlong); Water and Silence (Filter Theatre). His opera work includes The Exterminating Angel (The Metropolitan Opera, Royal Opera House, Salzburg Festival, and Royal Danish Opera); Lucia Di Lammermoor (Royal Opera House and Greek National Opera); L’étoile and Kròl Roger (Royal Opera House and Opera Australia; Green Room Award for Best Lighting Design); Written on Skin (Royal Opera House, Festival d’Aix-en-Provence, Lincoln Center New York, Bolshoi Moscow, Paris, Amsterdam, Vienna, and Toulouse); Hamlet (Glyndebourne and Adelaide Festival); Turn Of The Screw (English National Opera and Open Air Theatre); La Bohème (English National Opera and DNO); Wozzeck, Caligula and The Return of Ulysses (Young Vic); and The Perfect American (Teatro Real and Madrid: ENO).